Author: Christian A. Brown (@AuthorChrisAB)
Title: Feast of Fates
Series: Four
Feasts Till Darkness, Book
One
Genre: Fantasy Romance
Date of Publication: September 9,
2014
ISBN: 978-1495907586
Number of pages: 540
Word Count: 212K
Cover Artist: Brian Garabrant
Book Description
"Love is
what binds us in brotherhood, blinds us from hate, and makes us soar with
desire.”
Morigan lives a quiet life as the
handmaiden to a fatherly old sorcerer named Thackery. But when she crosses
paths with Caenith, a not wholly mortal man, her world changes forever. Their
meeting sparks long buried magical powers deep within Morigan. As she attempts
to understand her newfound abilities, unbidden visions begin to plague
her--visions that show a devastating madness descending on one of the Immortal
Kings who rules the land.
With Morigan growing more
powerful each day, the leaders of the realm soon realize that this young woman
could hold the key to their destruction. Suddenly, Morigan finds herself beset
by enemies, and she must master her mysterious gifts if she is to survive.
Available at Amazon and Createspace
Book Trailer: http://youtu.be/8E_RVXgpqB8
Excerpt
Menos was darker than usual: its clouds as black as the shadow of fear
that haunted Mouse. The city felt more menacing to her. She saw shadows in
every corner, noticed the glint of every ruffian’s blade or slave’s chain as
though they were all intended for her. The warning of Alastair played inside
her skull on a loop of nightmare theater.
A
hand over her mouth startles her awake, and she twists for the dagger in her
pillowcase until she recognizes the shadowy apparition atop her, who hisses at
her to calm.
“Alastair?” she gasps.
The
hand unclenches and the willowy shadow retreats to more of its own; she can
only see the scruff of his red beard in the dark.
“Get
up, Mouse. Get dressed.”
Her
mentor sounds annoyed or confused; she is each, but finds her garments quickly
enough anyway.
“I
don’t like good-byes, so let’s not call this that,” Alastair says with a sigh.
“But it will be a parting, nonetheless. You need to go low. Lower than you’ve
ever been before. A new name won’t be enough. You’ll need a new face. I don’t
know how or who, but the sacred contract of our order has been broken. Your
safety has been bought.”
Mouse
knows the who and how, and as she glances up from her boot-lacing to explain to
her mentor her predicament, she sees that he is gone. Just empty shadows,
echoing words, and the sound of her heartbeat drowning out all the rest.
She
expected the dead man and his icy master to emerge from the dim nooks and
doorways of the buildings she passed at any instant. With a hand on her knives
and a fury to her step, she swept down the sidewalk; no carriages for her
today, as they were essentially cages on wheels—too easy to trap oneself in.
With its sooty storefronts and their wrought-iron windows, its black
streetlamps that rose about her like the bars of a prison, Menos was
constricting itself around her, and she had to get out.
You’ve
survived worse than the nekromancer, she coached herself,
though she wasn’t certain that was true. She hurried through the grimness of
Menos, dodging pale faces and quickening her step with every sand. By the time
she arrived at the fleshcrafter’s studio, she was sweating and stuck to her
cloak. She looked down the desolate sidewalk and up the long sad face of the
tall tower with its many broken or boarded-over windows. When she was sure she
wasn’t being pursued by the phantoms that her paranoia had conjured, she pulled
back a rusted door that did not cry out as it should have, given its
appearance, but slid along well-formed grooves through the dust. She raced
through the door and hauled it closed.
It
was dark and flickering with half-dead lights in the garbage-strewn hallway in
which she stood. Mouse picked through the trash with her feet, tensing as she
passed every dark alcove in the abandoned complex. Hives, these places were
called, and used to house enormous numbers of lowborn folk under a single roof.
In Menos, even the shabbiest roof was a desirable commodity, so the building’s
ghostly vacancy meant that it likely was condemned by disease at one point.
Soon the stairwell she sought appeared, and she tiptoed down it, careful not to
slip on the stairs, which were slick with organic grunge.
Couldn’t
have picked a nicer studio, she cursed. I’ll be lucky if this
fleshcrafter leaves me with half a lip to drink with. Lamentably,
speed and discretion were her two goals in choosing where to have her face
remodeled. Such stipulations cut the more promising fleshcrafters off the list
and left her with the dregs. She hadn’t put much thought into what she would
have done, or even if she would end up hideously disfigured. Monstrous
disfigurement could even work in her favor, as she bore an uncanny resemblance
to that crow-eviscerated woman whom she suspected was the object of the
nekromancer’s dark desire. I’ll take ugly over dead. Over whatever he
has in mind for me.
About
the Author
Christian A. Brown has written
creatively since the age of six. After spending most of his career in the
health and fitness industry, Brown quit his job to care for his mother when she
was diagnosed with non-Hodgkins lymphoma in 2010.
Having dabbled with the novel
that would eventually become Feast of Fates for over a decade, Brown was
finally able to finish the project. His mother, who was able to read a
beginning version of the novel before she passed away, has since imbued the
story with deeper sentiments of loss, love, and meaning. He is proud to now
share the finished product with the world.
Connect with Christian A. Brown
